CNN’s Sara Sidner interviewed Sara Dosa for the Amanpour program. See more from Amanpour here.
How do you tell a story when the final chapter is public knowledge? You start at the end.
“We really didn’t want the audience to be focused on how Katia and Maurice might die … instead, we hoped people would focus on how they live,” the director told Sara Sidner in an interview for CNN’s “Amanpour.”
“This is a collage film that’s told through … their footage, their photographs, their writings, and we wanted the audience to know first and foremost that what they are watching is (what the Kraffts) left behind when they passed. So, we had to acknowledge their death.”
Katia and Maurice Krafft, volcanologists and subjects of documentary “Fire of Love.” Credit: Image’Est
The film comprises excerpts from around 200 hours of footage taken by the couple for their own research and documentaries, along with media interviews and extracts from their books.
Working with editors Erin Casper and Jocelyne Chaput, Dosa harnesses the volcano footage’s anthropomorphic qualities to illustrate the Krafft’s relationship with each other and their subjects. “We like to think of the film as a love triangle between Maurice, Katia and volcanoes,” she explained.
Katia and Maurice met in the 1960s through their common interest. Their personalities contrasted, Maurice gregarious and devil-may-care, Katia quieter and observant; differences that carried over into their fieldwork.
A still from “Fire of Love” featuring Katia and Maurice Krafft during an interview in their home in Alsace, France. Credit: INA
In one scene we see Katia unamused as her husband rows out into a lake of sulphuric acid (and then faces over three hours of paddling into a headwind to get back to shore). “It will kill me one day,” Maurice says of his job. Katia was often trying to ensure it didn’t — even if she was hardly risk-averse herself. In one of the documentary’s many eyebrow-raising scenes, she stands, calm and collected, on the edge of a crater while measuring a temperature of 1,200 Celsius (2,192 Fahrenheit).
Asked to describe their relationship by an interviewer, Maurice quips, “It’s volcanic — we erupt often!”
“They had a conflict there,” said Dosa. “They were usually able to reconcile though, because they knew that it was so important to be in sync with each other, to support each other, if they were going to pursue their ultimate love, which was being close to erupting volcanoes.”
The Kraffts knew how to leverage their daring pursuits to gain fame and financing to continue their research; their image-making was not a selfless exercise. But it’s to Dosa’s benefit and ours that the Kraffts were, in their words, so “fascinated, like a magnet, getting closer and closer” to danger.
“It’s really thanks to their love and their boldness, to get so close to capture these images, that we have them now in our film,” Dosa said. And though “they died truly doing what they loved,” their legacy has prevented many more deaths.
“It’s quite tragic, but poetic.”
“Fire of Love” is in the theaters in the US and will be released in the UK on July 29.
Add to queue: Explorers pushed to the limits
British explorer Sir Ranulph Fiennes’ bestselling account of his and Michael Stroud’s 1,350-mile crossing of Antarctica is a classic for a reason. Unrelenting, often harrowing, Fiennes details the gangrene, starvation, and hypothermia they faced, as well as the extreme mental toll of the undertaking. The old Winston Churchill epigram, “If you’re going through hell, keep going,” springs to mind.
Not all journeys are counted in miles, as Matt Wolf proves in his documentary about eight men and women quarantined inside the Biosphere 2 research facility between 1991 and 1993. The site in Arizona was designed to test if humans could live in deep space inside a closed ecological system, growing and rearing all their own food in a pressure cooker environment. The results were equally fascinating and disturbing.
Bits of Werner Herzog’s documentary will look familiar to anyone who’s seen Sara Dosa’s “Fire of Love,” as both contain footage taken by the Kraffts. But the German film director’s documentary has a broader focus, exploring active volcanoes from Ethiopia to North Korea with volcanologist Clive Oppenheimer. They’re a worthy subject for Herzog’s brand of poetic storytelling.
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